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Seminar Workflow Equipment Video Two Pana AF100 Two 32GB formatted SD cards Two Manfrotto tripods Two plates Two batteries One Canon Lens Mount Adapter for the Medium / Closeup Pana. One 24-70mm (set to f/8.0 using a 5D or 7D) One Panasonic Lumix 20mm pancake lens for the Wide Pana. Two Q3HD flipcams Two 32GB formatted SD cards Two tiny tripods The front is actually as a ...
According to Jad Abumrad, this is 8 minutes of happiness.  But I would understand if you stop watching after a minute.
Evidently, trying to use a combination of using spanned clips (AVCHD clips from Panasonic AF100) and PluralEyes 3 to create a multicam clip is too much.  It just does not work.  We're going to *have to* use FCPX for a while. There are multiple instances of failure along the way. Importing spanned clips into Premiere - it's fine Opening the sequence in PluralEyes 3 (using Window -> Extension -> PluralEyes, once the extension has been installed) - fine Automatic transcoding in PE3 - fail.  Can't handle the MTS files.  Also, the first of the spanned clip...
10.0.6 update is bringing a lot of the features back from FCP7. But is it enough? http://nofilmschool.com/2012/10/dual-viewer-windows-other-additions-to-final-cut-pro-x/
Seeing lower Manhattan without power was a surreal experience. This is traditionally a city that never sleeps. One in which the lights are always on. One that is always bustling with people. When the lights went out it was wholly different. This piece is meant to capture and relay the feeling of what it was like to walk around the darkened streets of lower Manhattan. See all of Jared's photos here: http://www.jaredlevy.me/gallery/hurricane-sandy...